This exhibition brought together Louis Kahan’s remarkable portraits of writers created for the provocative literary and cultural journal Meanjin between 1955 and 1974. With Kahan’s inspired contributions, Meanjin became, in Geoffrey Blainey’s words, ‘an illuminating mirror of Australian cultural life’.
In his work, Louis Kahan AO (1905–2002), depicted the facial idiosyncrasies of his subjects and the physiognomic traits of the thinking, working mind. His lively and seemingly spontaneous portraits of contributors were positioned next to text, bringing the ideas of his subjects to life. Kahan’s portraits contributed to the mythic stature of his subjects and the resonance of their ideas. The verve and concision of Kahan’s drawing technique is highly effective. Instead of a static record of facial features, his pen and ink lines fly and coalesce around nodal points in the face, such as the brow and the mouth, correlating with the high velocity synthesis of free and disparate thoughts at work in the mind within.
This exhibition presented portraits of literary luminaries and outstanding Australian poets such as Vincent Buckley, Miles Franklin, Dame Mary Gilmore, AD Hope, Kenneth Slessor, Christina Stead, Francis Webb and Patrick White. Major historians of diverse opinions such as Manning Clark and Geoffrey Blainey are also represented in some of Kahan’s most memorable images. Drawn from the University of Melbourne’s Baillieu Library Special Collections, exhibition included more than fifty drawings of writers, poets and intellectuals.
Curated by Vivien Gaston.
Intelligentsia: Louis Kahan's portraits of writers, Potter Museum of Art, installation view. Photograph: Viki Petherbridge.
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