Of the gum
Level One
There are hundreds of eucalypt species, each evolved to a specific ecosystem – the variety is endless. Leaves range from elongated curves to the dramatically sculptural, from sombre olives and blue greys to the reds and bright greens of new growth. Flower buds in an array of shapes and sizes open to reveal frills of stamens in colours from soft pastels to blazing hues, attracting insects, birds and mammals to nectar. Hardened gumnuts (the fruit) open to release seeds. Bark can be shining smooth, mottled, flaky or deeply fissured, covered in insect scribbles or falling in ribbons.
The works in this room show artists looking closely, turning their attention to these details and the shape, texture, pattern and colour of eucalypts. Historically, this kind of close observation has been associated with scientific illustration and the decorative arts and crafts – categories often regarded as lesser forms of art than painting and sculpture and frequently associated with women’s work and domestic life. Many contemporary artists contest such hierarchies. For First Nations peoples, the distinction has never applied – the tree has always provided raw materials for works that are at once practical, ceremonial and artistic.
Rooms on Level One
The exhibition continues on Level Two
